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        ARTIST BIOS
        ESSAY
CATEGORICAL IMPERATIVES
RAED YASSIN, AYMAN RAMADAN, DALIA AL KURY, 
MOUNIRA AL SOHL, NAJIB MRAD,  KHALED RAMADAN
JANUARY 7 2010 - FEBRUARY 18 2010



DALIA AL KURY

Dalia Al Kury ,1980, is an independent documentary filmmaker and is the author of all her films. She is a Jordanian Palestinian, and holds an MA in Screen Documentary,Goldsmiths University- UK, 2007.  She has directed many short fiction and documentary films since she first started in 2003. She holds an MA in screen Documentary from Goldsmiths College, UK, and has directed over seven documentary films, all of which were screened in international film festivals or on the Arabic MBC Sattelite TV network. She has been granted support from the TV channel Al Arabya twice including for her last film, “Smile you’re in South Lebanon”. Her approach to images is romantic yet sharp in the way it chooses to depict each and every side of a given issue. Dalia has a sense for portraits and films people as if she painted them, touch by touch with a warm and innocent approach to human nature. Dalia lives in Jordan.


AYMAN RAMADAN

About his own work Ayman Ramadan says: "Coming from a background of no formal art training and with strong ties to the street life I have managed to relay my thoughts and feelings into a visual language using mediums of installation and video art. Ayman Ramadan says that through his work he wants to provoke the viewer to consider issues relating to labor, the anonymity of the individual in the urban landscape, and frustrations stemming from local political realities.

Ayman Ramadan began to produce his work after participating in workshops and building relationships with visiting and resident artists at the Townhouse Gallery of Contemporary Art in Cairo, where he had been employed since 2000. Informed by his immediate surroundings, Ramadan’s work spans an extraordinary breadth of media and influences, from Minimalist sculpture to photography, video, and performance, often involving residents of downtown Cairo. In 2001, he had his first solo exhibition at the Townhouse Gallery. In the last six years, he has had five solo exhibitions at the Townhouse Gallery and has exhibited his work in Germany, Denmark, and Sweden. Ramadan’s video work Iftar was screened at the Tate Modern in London, and his installation Baladi Bus was part of a group exhibition at Kunstmuseum, Bonn. He is currently studying art and living in San Francisco.

   

KHALED RAMADAN

Khaled Ramadan, born in Beirut in 1965, is a curator, video documentary maker and a lecturer in new media aesthetics. His fields of specialties are visual culture aesthetics, multi-media studies and the history of cross culture visual art and culture. He is a lecturer at the department of Art History, University of Copenhagen. He was also an associated guest Professor at the Royal Danish Academy of Fine Arts, where he taught critical theory and experimental documentary making in 2006. He is the curator of the Coding-Decoding documentary festival, Copenhagen 2006, “Not on satellite - video and experimental documentary - at Museo Nacional Centro de Arte Reina Sofía”, Madrid 2007. He is also part of the official jury of the AMAL Arab film festival, Spain 2007. He is the founder of Chamber of Public Secrets and the independent institute, Chamber for Interventional Media – institute for electronic, didactic and analytical art.


MOUNIRA AL SOHL

Mounira Al Solh was born in Beirut in 1978. She studied painting at the Lebanese University in Beirut (LB), and Fine Arts at the Gerrit Rietveld Academy in Amsterdam (NL). Between 2006 and 2008, she was a resident at the Rijksakademie in Amsterdam.   Her work is multidisciplinary, osciliating between video, installation, writing, photography and painting.


RAED YASSIN

Raed Yassin was born in Beirut 1979. He graduated from the Theater Department of the Institute of Fine Arts in Beirut in 2003. He works in video, performance, music and audio/ visual arts. He has done performances, videos and recordings. Raed Yassin’s The New Film (2008) is a montage of snap shots from Egyptian films from the 1980s to the present day. In every shot we see President Hosni Mubarak’s portrait hanging on the wall of an office where officials bark at their subordinates and people who arrive telling about their concerns.



















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